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- //--------------------------------------------------------------------
- // AgeOfInnocence.cs ⌐ 2001 by Charles Petzold; text by Edith Wharton
- //--------------------------------------------------------------------
- class AgeOfInnocence
- {
- public static string Text
- {
- get
- {
- return
-
- "On a January evening of the early seventies, Christine Nilsson was " +
- "singing in Faust at the Academy of Music in New York." +
- "\n" +
- "\tThough there was already talk of the erection, in remote metropolitan " +
- "distances \"above the Forties,\" of a new Opera House which should " +
- "compete in costliness and splendour with those of the great European " +
- "capitals, the world of fashion was still content to reassemble every " +
- "winter in the shabby red and gold boxes of the sociable old Academy. " +
- "Conservatives cherished it for being small and inconvenient, and thus " +
- "keeping out the \"new people\" whom New York was beginning to dread and " +
- "yet be drawn to; and the sentimental clung to it for its historic " +
- "associations, and the musical for its excellent acoustics, always so " +
- "problematic a quality in halls built for the hearing of music." +
- "\n" +
- "\tIt was Madame Nilsson's first appearance that winter, and what the " +
- "daily press had already learned to describe as \"an exceptionally " +
- "brilliant audience\" had gathered to hear her, transported through the " +
- "slippery, snowy streets in private broughams, in the spacious family " +
- "landau, or in the humbler but more convenient \"Brown &c&o&u&p&Θ.\" To " +
- "come to the Opera in a Brown &c&o&u&p&Θ was almost as honourable a way " +
- "of arriving as in one's own carriage; and departure by the same means " +
- "had the immense advantage of enabling one (with a playful allusion to " +
- "democratic principles) to scramble into the first Brown conveyance in " +
- "the line, instead of waiting till the cold-and-gin congested nose of " +
- "one's own coachman gleamed under the portico of the Academy. It was one " +
- "of the great livery-stableman's most masterly intuitions to have " +
- "discovered that Americans want to get away from amusement even more " +
- "quickly than they want to get to it." +
- "\n" +
- "\tWhen Newland Archer opened the door at the back of the club box the " +
- "curtain had just gone up on the garden scene. There was no reason why " +
- "the young man should not have come earlier, for he had dined at seven, " +
- "alone with his mother and sister, and had lingered afterward over a " +
- "cigar in the Gothic library with glazed black-walnut bookcases and " +
- "finial-topped chairs which was the only room in the house where Mrs. " +
- "Archer allowed smoking. But, in the first place, New York was a " +
- "metropolis, and perfectly aware that in metropolises it was \"not the " +
- "thing\" to arrive early at the opera; and what was or was not \"the " +
- "thing\" played a part as important in Newland Archer's New York as the " +
- "inscrutable totem terrors that had ruled the destinies of his " +
- "forefathers thousands of years ago." +
- "\n" +
- "\tThe second reason for his delay was a personal one. He had dawdled " +
- "over his cigar because he was at heart a dilettante, and thinking over a " +
- "pleasure to come often gave him a subtler satisfaction than its " +
- "realisation. This was especially the case when the pleasure was a " +
- "delicate one, as his pleasures mostly were; and on this occasion the " +
- "moment he looked forward to was so rare and exquisite in quality " +
- "that\x2014well, if he had timed his arrival in accord with the prima " +
- "donna's stage-manager he could not have entered the Academy at a more " +
- "significant moment than just as she was singing: \"He loves me\x2014he " +
- "loves me not\x2014&h&e& &l&o&v&e&s& &m&e!\" and sprinkling the falling " +
- "daisy petals with notes as clear as dew." +
- "\n";
- }
- }
- }